Spectrasonics is another, especially their Omnisphere. Like I said, there are a couple of names that frequently dominate the top of best synth lists. Pigments 3 is compatible with Windows and Mac. You can easily create some powerful, unique, and quality sounds with it. Producers agree that Pigments is on its way to becoming one of the most powerful synths out there.

There’s also a polyrhythmic sequencer and arpeggiator that allows you to create complex sequences and arpeggios. The advanced modulation system allows for graphical editing (source based or destination based), and it comes with envelopes, LFOs, function generators, Random src, and more. There’s a powerful FX section with insert or send routing, modulable parameters, as well as 18 modern and vintage algorithms.

The interface is color-coded with modules and graphical feedback, and there are dual filters with continuous series / parallel routing, classic filter types from V Collection instruments, and modern filter types. There’s also a third utility engine with an analog-style oscillator layer with five waveforms and six-octave range, as well as dual noise sample players with built-in sample library. You get two engines running in parallel with a choice of virtual analog triple osc engine, complex wavetable engine (with over 160 wavetables), sample and granular engine (including sample library), and harmonic oscillator additive engine. New functionality includes CrossMod, a distortion module with 16 algorithms, expanded comb filter, enhanced sample engine browser, Apple M1 compatibility, a streamlined UI, dozens of new wavetables, and 150 brand new factory presets.īut its feature set is expansive to say the least. Naturally, Pigments 3 is an improvement on its predecessors. Plaid thought there was “real detail and depth” to its sound, Mylo called it an analog-wavetable beast, and Mark Ayres referred to it as deep, old-fashioned, and modern. Another exciting development via Arturia, Pigments 3 is a polychrome software synth.

Arturia pigments polyphony